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Wyndham’s theatre, London
This stage version of Yann Martel’s novel is exquisitely designed but the wonder leaks away in flat-footed storytelling
Life of Pi had a first life as a Booker prize-winning novel by Yann Martel and a second as an Oscar-winning film by Ang Lee. Both were utterly captivating. Now comes playwright Lolita Chakrabarti’s stage spectacular (first presented in Sheffield in 2019) about Piscine “Pi” Patel, the zookeeper’s son from Pondicherry who claims to have survived a shipwreck in a life-raft with a Bengal tiger in tow.
The magic here lies firmly in aesthetics, from the teeming menagerie of large-scale puppets, exquisitely designed by Nick Barnes and Finn Caldwell, to visual effects that surge, dazzle and undulate like ocean waves (stage design by Tim Hatley with video design by Andrzej Goulding and lighting by Tim Lutkin).
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